Death & Co.

"Death & Co." is the debut single by The Veils, released only as promo on 19 August 2002 for the Blanco Y Negro inprint. All three songs featured here would be later re-released as B-sides to following singles "More Heat Than Light" and "Guiding Light". The main song has the same title of a Sylvia Plath's poem written in 1962 from the book Ariel.

Tracklist

Death

Death is the termination of all biological functions that sustain a living organism. Phenomena which commonly bring about death include biological aging (senescence), predation, malnutrition, disease, suicide, homicide, starvation, dehydration, and accidents or trauma resulting in terminal injury. Bodies of living organisms begin to decompose shortly after death. Death has commonly been considered a sad or unpleasant occasion, due to the termination of social and familial bonds with the deceased or affection for the being that has died. Other concerns include fear of death, necrophobia, anxiety, sorrow, grief, emotional pain, depression, sympathy, compassion, solitude, or saudade.

Etymology

The word death comes from Old English deað, which in turn comes from Proto-Germanic *dauthuz (reconstructed by etymological analysis). This comes from the Proto-Indo-European stem *dheu- meaning the "Process, act, condition of dying".

Associated terms

The concept and symptoms of death, and varying degrees of delicacy used in discussion in public forums, have generated numerous scientific, legal, and socially acceptable terms or euphemisms for death. When a person has died, it is also said they have passed away, passed on, expired, or are gone, among numerous other socially accepted, religiously specific, slang, and irreverent terms. Bereft of life, the dead person is then a corpse, cadaver, a body, a set of remains, and when all flesh has rotted away, a skeleton. The terms carrion and carcass can also be used, though these more often connote the remains of non-human animals. As a polite reference to a dead person, it has become common practice to use the participle form of "decease", as in the deceased; another noun form is decedent. The ashes left after a cremation are sometimes referred to by the neologism cremains, a portmanteau of "cremation" and "remains".

Death discography

The discography of Death, a metal band, consists of seven studio albums and four live albums. Death was an American metal band founded in 1983. The band's founder, Chuck Schuldiner, is considered "a pioneering force in death metal and grindcore". The band ceased to exist after Schuldiner died of brain cancer in 2001, though it remains an enduring metal brand.

As of 2008, Death had sold over 2 million albums worldwide, with over 500,000 copies sold by December 2009 in the U.S. alone (excluding the numerous sales before the SoundScan era) making them the top-selling death metal band worldwide, and only topped in the U.S. by Cannibal Corpse.

Studio albums

Live albums

Compilation albums

Demo albums

Prior to the release of the band's debut album in 1987, Death released several demos and rehearsal tapes. Below is a list of the band's seven official demos according to its website.

Nostradamus (album)

Nostradamus is the sixteenth studio album by English heavy metal band Judas Priest, focusing on the 16th-century writer Nostradamus. It is a double album. The band's first concept album, it was originally intended to be released in late 2006 before being pushed back to a 2007 release, and was finally released in June 2008 on Epic Records. It is the band's final album to feature K. K. Downing, before his retirement.

Judas Priest toured with Motörhead, Heaven & Hell, and Testament on the Metal Masters Tour to promote Nostradamus. The band also performed a world tour in 2008 and 2009 in support of the album.

Development

The Nostradamus concept idea originated from manager Bill Curbishley and was pitched to the band while on tour in Estonia in 2005. Guitarist K. K. Downing revealed in a February 2007 interview with Brave Words & Bloody Knuckles that 18 tracks had been recorded with a total length of more than 90 minutes and that there was not much he would like to cut down. Musically, the album contains symphonic orchestrations, including the use of keyboards and choirs, which is unlike anything the band has previously attempted. In November 2007, the band began mixing the album.